TERMINE
Di. 28.01.2020
Einlass:
19:00 h
Beginn:
20:00 h
Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out
songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the Philadelphia-based punk band
take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school
hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful
truths, Hello Exile ultimately maintains the irrepressible spirit that’s always defined the band.
The sixth full-length from The Menzingers, Hello Exile arrives as the follow-up to After the Party: a 2017 release that landed
on best-of-the-year lists from outlets like Clash and Noisey, with Stereogum praising its “almost unfairly well-written punk
songs.” In creating the album, the band again joined forces with producer Will Yip (Mannequin Pussy, Quicksand), spending
six weeks recording at Yip’s Conshohocken, PA-based Studio 4. “That’s the longest amount of time we’ve ever worked with Will,”
notes Barnett. “We wanted to make sure these stories didn’t get lost in the music, so we kept it to a lot of room sounds with
the guitar and bass and drums.”
Despite that subtler sonic approach, Hello Exile still rushes forward with a restless urgency—an element in full force on
the album-opening “America (You’re Freaking Me Out).” With its pounding rhythms and furious guitar riffs, the viscerally charged
track provides a much-needed release for all those feeling frenzied by the current political climate. “We’re living in a pretty
insane time, where all you can think about every single day is ‘What the hell is going on with this country?’” says Barnett.
“But as I was writing that song I realized that it’s kind of always freaked me out, especially coming-of-age during the Iraq
War. I love so much about America, but I think you can’t deny that there are some people in power who are absolutely evil.”
Elsewhere on Hello Exile, The Menzingers turn their incisive songwriting to matters of love and romance, exploring the glories
and failures of human connection. A wistful piece of jangle-pop, “Anna” paints a portrait of lovesick longing, complete with
dreamy recollections of wine-drunk kitchen dancing. And on “Strangers Forever,” the band shifts gears for a searing tribute
to parting ways, backing their spiky guitars with brilliantly barbed lyrics (e.g., “Maybe it’s for the better if we both stay
strangers forever”).
An album fascinated with home and displacement and belonging (or the lack thereof), Hello Exile takes its title from its heavy-hearted
centerpiece. With its aching vocals, graceful acoustic guitar work, and beautifully lilting melody, “Hello Exile” draws inspiration
from Anton Chekhov’s “The Lady with the Dog” (a short story set in the Black Sea resort city of Yalta). “I grew up in a tiny
town that’s essentially a cross between a summer-vacation spot for New Yorkers and a retirement home, so for most of my childhood
there were always people coming in and out of my life,” says Barnett, who hails from Lake Ariel, PA. “Reading that story made
me think of how isolating it felt when my friends would leave to go back to the city at the end of the season, and I’d still
just be stuck way out there in the woods.”
In looking back on the songwriting process behind Hello Exile, Barnett points to the starkly confessional “I Can’t Stop Drinking”
to illustrate the band’s commitment to total candor. “We’ve written so many songs about fun times with alcohol—but the older
you get, it’s not always fun anymore,” he says. “With ‘I Can’t Stop Drinking,’ I wanted to be completely truthful and get
away from glorifying anything. Sometimes it’s tough to look at yourself and at others that way, but it felt important to make
it as real as possible.”
With the band achieving that soul-baring intimacy all throughout the album, Hello Exile emerges as The Menzingers’ most emotionally
daring work to date. “We’ve always been in love with good songwriting and the beauty of taking a song to its fullest potential,
but with this album I feel like we’re really becoming the band we’ve always wanted to be,” says Barnett. Not only a creative
turning point for The Menzingers, that uncompromising honesty helps fulfill their mission of leaving each listener with a
potent sense of solidarity. “A lot of these songs are looking at different life challenges—they’re stories of people at some
sort of crossroads,” Barnett says. “We might not have the answers for anybody, but hopefully the songs will help them to see
the light at the end of the tunnel, and know that they’re not alone in whatever tough decisions they’re facing.”